Close environmental portrait, photographer seated on sun-warmed wooden steps in a garden, looking slightly off-camera with a relaxed half-smile, late afternoon golden light falling across her face and hands, soft amber bokeh of foliage behind her, documentary framing
Close environmental portrait, photographer seated on sun-warmed wooden steps in a garden, looking slightly off-camera with a relaxed half-smile, late afternoon golden light falling across her face and hands, soft amber bokeh of foliage behind her, documentary framing
/ Behind the camera

I watch. I wait. Then the real thing happens.

I'm a lifestyle photographer based in the Pacific Northwest. I don't direct scenes — I find the ones already unfolding in front of me.

Wide environmental shot of a couple laughing in a sun-drenched open field, golden-hour light streaming from the left, long grass softly blurred in the foreground, warm amber and honey tones, candid mid-motion, no eye contact with camera
Wide environmental shot of a couple laughing in a sun-drenched open field, golden-hour light streaming from the left, long grass softly blurred in the foreground, warm amber and honey tones, candid mid-motion, no eye contact with camera
How I work

Golden hour is where people look most like themselves.

I work almost entirely in natural and golden-hour light — not for the aesthetic, but because that warmth loosens people. When the light is right, the guarded version goes away.

— On a session

Sessions run unhurried. I keep a wide frame, stay quiet, and let you settle into being yourselves. Most clients stop noticing the camera within fifteen minutes.

Forget I'm there.

That's when the images happen — a hand reaching out, a glance mid-sentence, a kid bolting across the frame. Unscripted and entirely yours.

If this feels like the right fit, I'd love to hear from you.